Showing posts with label YouTube. Show all posts
Showing posts with label YouTube. Show all posts

Free YouTube Downloader - Free Download - GNN Free Software

#GNN #Software - #Editors' #review: Free #YouTube Downloader is a small but effective application that quickly downloads videos without any hiccups. While the design is quite plain, and there aren't many features, this application gives you exactly what you want when you want it.

Pros
Fast downloads: We used Free YouTube downloader to grab an array of videos and never once experienced any delays. All downloads, regardless of output format, preserved the quality of the original video.

Easy to use: This application is very straightforward, especially with its uncomplicated design. The large URL window and limited amount of buttons make downloading videos an easy task. It is all contained within one window, reducing confusion tremendously.

Helpful support: This app offers a helpful online guide, which includes photos and detailed descriptions, as well as an active forum where you can ask questions about Free YouTube Downloader.

Cons
Limited: This program performs its intended function perfectly, but it would be nice if it supported other video hosting Web sites.

Bottom Line
Free YouTube Downloader does exactly what it promises, offering an easy way to download videos. If you use YouTube for all your video needs, this is the perfect download. If you want a tool that will download videos from other sites, you may want to try out other options.

Publisher's Description
From HOW:
Would you like to watch your favorite videos from YouTube whenever and wherever you please? With this download manager you can save YouTube videos in various video and audio formats including AAC, MP3, AVI and MP4.

This software is 100% free to use and is guaranteed not to contain any spyware, viruses or any other kind of malware. Because we work full-time on this software we need to include sponsored offers. We hope you understand that this is necessary in order to provide this product free of charge. Any offers can easily be declined so nothing will ever be installed without your consent.

What's new in this version:

Version 4.0.282 may include unspecified updates, enhancements, or bug fixes.

Free #Download - GNN Free Software
Quick Specs
Version:
4.0.282

File Size:
18.46MB

Price:
Free

Operating Systems:
Windows Me/2000/XP/2003/Vista/7/8

GNN Free Software

FULL-LENGTH MATCH - SmackDown - The Undertaker & Kane Vs. MVP & Mr. Kennedy.


All Rights Go To Wwe
Nov. 3, 2006 - The Brothers of Destruction reunite for the first time in nearly four years against up-and-comers MVP & Mr. Kennedy.

YouTube to launch paid music service in a few months

(GNN) - Google Inc's YouTube is set to launch its long-awaited paid monthly subscription service called YouTube Music Key in a few months, said Robert Kyncl, the online video service's head of content and business operations, at the Code/Media conference.

The beta version of the service is currently being tested and is available by invitation, Kyncl said at the conference in California, according to a company spokeswoman.

"There is a subset of audience who wants more things so they are used to paying for those. We don't think it changes anything for existing users," Kyncl said.

Google said in November the subscription for the ad-free service will start at $7.99 per month and will allow users to watch videos offline and listen to music while other apps are working.

The plan would represent a significant change for the world's No. 1 online video, whose free videos, often accompanied by short commercials, attract more than 1 billion users a month.

(Reuters) (Reporting by Abhirup Roy and Supriya Kurane in Bengaluru; Editing by Sriraj Kalluvila)

YC-Backed TicketLabs Helps Small Music Venues Get More Fans Through The Door

#GNN - Over the last few years, technology has steadily worked its way into the concert-going experience. Apps make the ticket purchasing experience a simple affair, while the endless flood of social data gives promoters and bands the ability to target their marketing efforts at those most likely to enjoy their particular style.
Y Combinator batch company TicketLabs wants to make that technology affordable and accessible for smaller artists and venues. So far, most of these improvements have gone to the high end of the market — companies like Ticketmaster were able to use its lock on the space to invest in improving the experience while collecting social data through social check-ins.

According to TicketLabs CEO Ian Roberts, the company put down its first lines of code on January 1 and brought in its first revenue on January 16. From there, the company expanded with the help of promoters in the Toronto area. By building for smaller players, it became obvious how to expand their product.

Unlike arenas filled by legions of Kanye and One Direction fans, smaller venues often have trouble selling out. TicketLabs’ approach to the problem is to make it as easy as possible to turn a band or venue’s social presence into a channel for selling more tickets.

Its tool for creating event pages needs just one photo to generate a page with matching accent colors. With a few more links, you can connect it to a Facebook event and bring in relevant videos from YouTube. All told, Roberts says the process only takes about five minutes.

As with Eventbrite, people can share a link to this page to quickly get the word out about an event. So far, 70 percent of users who buy tickets through these pages sign in using their Facebook accounts during the process, making it more likely that they’ll help to promote the event from their account and give TicketLabs data that it can package for its customers, like where fans live and which artists share fans.

TicketLabs also simplifies how things work once the night of the concert arrives. Instead of requiring a standalone hardware scanner that ties into the ticketing backend, concert venues can scan tickets with an app for iOS or Android.
Most of TicketLabs’ traction has come from the electronic music scene. The demographics line up well with what tech startups look for in a user base: EDM fans are generally young, tech-savvy early adopters enthusiastic about finding niche events to attend with their friends. It’s an audience that gets excited about spending money together. So far, the duo has processed almost $500,000 in ticket sales from more than 50 events, with an average audience of 750 people.

While TicketLabs’ service appeals to those who aren’t afraid of tech, the team has collected some surprising findings so far. For instance, approximately half of its users still print out their tickets, while roughly a third actually buy their tickets on mobile. While neither of those is necessarily a bad thing, Ticket Labs is looking for ways to increase utilization of e-ticketing and the number of purchases happening when people are on the go.

My free suggestion: give concert goers a native app rather than require them to bounce over to Mobile Safari or Chrome when they click on the link to buy tickets on a Facebook event page. While it may not affect the actual user experience all that much, services like Uber have trained us to expect a fast app with a big SPEND MONEY button front-and-center.

For now, marginally improving their mobile experience isn’t TicketLabs’ biggest priority — getting new clients is. That’s easier said than done: The company’s two founders are still doing all the work, with Roberts spending his days reaching out to venues, promoters and artist management to find new prospects while co-founder Patrick Hannigan focuses on the tech side of things.

IMAGE BY TICKET LABS (IMAGE HAS BEEN MODIFIED)

Westboro Baptist Church Protesting SF Tech Workers This Afternoon

#GNN - The #Westboro #Baptist #Church, the group known for its hate-filled picketing outside the funerals of soldiers and those who died of AIDS, has found a new target – the tech industry.

The group plans to picket pretty much every major tech company in Silicon Valley from Facebook to Reddit this afternoon.

In what looks to be a press release created in Microsoft Paint, the WBC released a statement saying it would be condemning tech companies for supporting gay rights.
The group specifically targets several tech leaders, including Mark Zuckerberg because he, “…uses every ounce of his ingenuity to find new ways to cram sodomite propaganda down everyone’s throats.” The group seems to have issues with Zuckerberg for supporting San Francisco’s Gay Pride festivities.

The WBC website picketing schedules says it will start with Instagram, move on to Facebook, Google and several other tech companies on the Peninsula and then head up to the city for more tech protests, starting with Twitter.

Tech community members have put up a “Kiss in Protest” event on Facebook, inviting all of SF to counter Westboro’s vitriol with love this afternoon. That all starts at the scheduled Twitter HQ protest on Market Street at 3:50 pm.

Reddit wasn’t originally on the schedule but was added after an AMA (Ask Me Anything) on Sunday that went just as badly as one would expect it to. The Reddit community encouraged folks to ignore the AMA. The WBC says God gave Alex Ohanian and Steve Huffman the power to create Reddit for his glory, not theirs. “[Alex Ohanian] should have used that opportunity to say “God ALONE is in charge of the Internet,” the site reads. The group now plans to picket Reddit HQ in San Francisco this evening at 5:35.

The WBC also plans on half hour demonstrations at Pinterest, YouTube, Skype, Google and Apple headquarters today.

Vine Competitor Groopie Lets #Vloggers Create #TV-Style #Shows Together

#GNN - #YouTube stars are more popular among today’s U.S. teens than Hollywood celebs, a recent study found. Hoping to capitalize on this trend, a new social video network called Groopie has just launched on iPhone, allowing the next generation of vloggers to record video shows with friends, which may include both scripted and unscripted content.

The L.A. and San Francisco-based startup was founded by Fuad Hawit, whose entrepreneurial drive was influenced by his father Andre, a longtime tech startup founder, who sold IDS Software Systems for $50 million in 2003, and later co-founded companies with his son, including gSoft, makers of an early Siri-like mobile assistant, and audio ad network Mixberry Media.

But Groopie is Fuad’s first solo effort, he says.

The idea for the app came to him in the pre-Vine days, he says, after watching reality TV and realizing the similarities between that style of programming and today’s social media. He envisioned a service that would let vloggers create video “episodes” together, which would be like independently produced reality TV shows.

An early prototype of the Groopie application allowed multiple users to record video from different locations (even flipping between front and back cameras seamlessly), then merge those videos into one. But unlike competitors who offer mobile video “stitching” apps, or apps like Vine which ask you to start and stop your video shoots in order to tell your story, Groopie works a bit differently, says Hawit.

How It Works: Not Stitching, But “Sync”

“Every other video editing tool is doing it like film-style, where they’re stitching multiple shots together,” he explains. “You have to be a director or script writer to be able to tell a story through multiple video shots…and the rest of those guys come from a desktop video ideology,” says Hawit.

Competitors are offering tools to do effects with video, or overlays, stitching tools, and more, he says.

“We kept it really simple…it’s not technically stitching. It’s real-time synchronization. You’re merging two real-time perspectives.”

That is, with Groopie, friends can shoot the episode at the same time, then merge their videos together with a built-in editing tool where you can select which camera angle and audio source you want to use for each shot in order to create one continuous video.

Despite the slight learning curve involved, the process is simple enough for Groupie to already have kids as users, as with the 2nd-grader Alex whose “The Little Alex Show” is already 21 episodes deep.The company has been running a private beta for the past 6 months, and has signed up 100 testers (Apple’s limit). These include a dozen or so YouTubers, and a couple of reality stars (from the shows “Shahs of Sunset” and “Bad Girls Club”). The current lineup of shows includes reality-style video programming as well as few more scripted shows.

Groopie users each get their own profile which lets them feature their shows, each of which can have an unlimited number of episodes. This setup lets viewers follow the individual shows they like, as opposed to a vlogger’s whole channel. Shows can be shared to Facebook and Twitter, but not published to YouTube, which is by design for this startup itching to become the “YouTube of mobile.”
 
 Hawit doesn’t really see Groopie as being disruptive to YouTube, however. But he could see it becoming more like Vine as another place for vlogger stars to grow their audiences.

These video creators already know each other, record Vines together and do shout-outs on YouTube, he says.

“They already work together…with Groopie, they can combine followers.

That’s going to be stronger than a broadcast channel,” he says. “You take users who have 1 million followers each and you put them together on a TV show – that’s going to be extremely powerful.”


Groopie is backed by $350,000 in funding, from unnamed Zynga, PayPal and Apple angel investors, and others.

The app itself still feels a little rough around the edges in terms of its design, and the content itself is nowhere near as polished as what you’d find on YouTube. But it’s still the early days.

Groopie is free here on iTunes.

TiVo Founders Shutting Down Qplay Video Service Fewer Than 6 Months After Launch

#Qplay, the #video streaming #app and device from a couple of #TiVo co-founders, is closing down next Friday. The shutdown marks a short life for the service, which launched in February this year with a $49 streaming device and expanded to the iPad just last month.
The company was founded in August 2012 by Michael Ramsay and Jim Barton, who brought DVRs into the mainstream with TiVo a decade earlier. Their new venture, which was funded by Redpoint Ventures and Kleiner Perkins Caufield & Byers, offered up a way for viewers to watch a continuous stream of Internet videos found on sites such as YouTube and Vimeo.

It lacked a lot of the so-called premium content that viewers could find on the likes of Netflix or Hulu. For that reason, and due to the competitive nature of the streaming device ecosystem, the $49 Qplay TV adapter was a tough sell.

Which is why the company unsurprisingly released a free iPad app with similar functionality. Even so, it seems like that wasn’t enough to get viewers interested.

Qplay announced the shutdown on its blog yesterday, offering refunds to those who had purchased the adapter. Marketing director Ashley Martin-Golis wrote the following:

If you purchased a TV Adapter from us and would like a refund, we will give you your money back (learn how to request a refund). Refund requests will be accepted until next Friday July 25, 2014 at 5 PM Pacific. All TV Adapters will stop functioning when the service shuts down, so please responsibly recycle your TV Adapter. Click here to find a local electronics recycling location. If you have any questions send us an email to help@qplay.co.

Pakistan army captures high-ranking Taliban commander

(GNN) - The Pakistani military has captured a high-ranking Taliban commander who once tried to blow up former president Pervez Musharraf and later escaped jail with hundreds of other prisoners, security officials said on Tuesday.

Adnan Rashid was captured on Friday in a house where he was living with his family in northwest Pakistan's mountainous region bordering Afghanistan, the officials said. He was injured in a shootout during his arrest.

Rashid, captured in the Wana area of South Waziristan,

is the first major Taliban commander captured since the military launched an offensive in neighbouring North Waziristan last month. The army says it will drive Taliban insurgents from their key strongholds in the region.

The offensive followed years of pressure on Pakistan by its NATO allies to crack down on Taliban havens in North Waziristan.

But local residents said that most militants moved out well before ground troops arrived. More than half a million civilians were also ordered to leave last month before the offensive began. Government figures show more than 900,000 have sought aid, although that also indicates fraud and duplications.

Since then, the government has seized control of Miranshah, the capital of North Waziristan. It claims to have killed hundreds of militants.

Rashid, believed to be in his mid-30s, is a former Pakistani air force officer who tried to become a suicide bomber before he was jailed for a 2003 attempt to blow up then-President Musharraf.

He escaped from jail in 2012 along with nearly 400 other militants after militants attacked Bannu prison using rocket propelled grenades and assault rifles.

Following his release, he claimed responsibility for masterminding another jail break that freed 250 prisoners, made a series of YouTube videos and wrote an open letter attempting to justify the assassination attempt on schoolgirl activist Malala Yousafzai.

Local residents in the area where Rashid was captured say that leaflets purporting to be from the Taliban were being circulated, blaming Rashid's capture on some local Taliban commanders and promising vengeance.

In recent months the Pakistani Taliban, always an uneasy alliance of competing militias, has been beset by a series of internal power struggles.

Also on Tuesday, three Pakistani soldiers and six Taliban militants were killed in a gun battle in the village of Fateh Khel near the town of Mir Ali in North Waziristan.

(GNN)(Reuters)(AIP)(Writing by Katharine Houreld; Editing by Susan Fenton)

Exclusive: YouTube weighs funding efforts to boost premium content - sources

(GNN) - YouTube has embarked on a new round of discussions with Hollywood and independent producers to fund premium content, two sources with knowledge of the talks told Media, a move that could bolster a three-year-old multimillion-dollar effort that has had mixed success so far.

The talks underscore Google Inc's desire to complete YouTube's transition from a repository for grainy home videos to a site sporting the more polished content crucial to securing higher-priced advertising.

Over the past two months, YouTube executives have begun making the rounds, talking to Hollywood producers to explore the kinds of support it could offer its content creators and produce more must-see programming, according to the two people.

Executives did not lay out exactly how a program would be structured. One of the two people said the site may offer between $1 million and $3 million to produce a series of programs, and might contribute marketing funds as well.

The second person said the site was interested in videos shorter than the 30-minute, TV network-quality Web shows that Amazon.com Inc and other online sites have recently funded.

"We are always exploring various content and marketing ideas to support and accelerate our creators," a YouTube representative said in an email. The site declined to comment on the meetings.

The latest round of discussions is in its initial phases and actual measures may never materialize, the sources said.

YouTube is by far the world's most popular location for video streaming, with more than 1 billion unique visitors a month, far surpassing Netflix Inc and Amazon. But it is trying to lure more marketers for premium video advertising, boosting margins as overall prices for Google's advertising declines.

YouTube set aside an estimated $100 million in late 2011 to bankroll some 100 channels, though it never confirmed amounts spent or other details. Beneficiaries of that largesse included Madonna and ESPN, as well as lesser-known creators. Reuters was one of the companies that received funds for a channel.

But few of those have garnered much mainstream attention.

"Over 115 of the channels launched as part of that initiative are now in the top 2 percent most-subscribed to channels on the platform," a company representative said in an email.

YouTube has continued to provide backing for its content creators. It provides production facilities for creators, offers tips on how best to create content, and provides small amounts of funds for creators to test ideas.

The site also provides marketing support for online celebrities, including paying for billboards and TV ads for the likes of beauty blogger Michelle Phan and baker Rosanna Pansino. (Reuters)(AIP)

(Additional reporting by Alexei Oreskovic in San Francisco; Editing by Edwin Chan and Mohammad Zargham)

Quick Key, The Quiz Scanning App For Teachers, Raises Over $250,000

When we last saw Quick Key, founder Walter Duncan was working to get his quiz grading app into schools across the country. Now they’ve announced a $250,000 raise to help expand their reach and improve the product.
The app, which streamlines the grading process utilizing optical character recognition, has so far been used to scan 300,000 quizzes. One teacher, Younis Aydin, in Istanbul, wrote that the app helped him grade 400 exams in less than an hour, a feat that used to take him a week.

Their shareholders include ARC Capital, an educational venture fund, and another anonymous shareholder who invested the full $250,000 last year. They have added CMO of Pearson Inc., Gary June, to their board of directors. The app originally made a stir on Kickstarter where it raised $100,000.

The best thing about this app is Duncan’s genuine earnestness in giving back to the educational community. He’s been working as a teacher for 15 years and recently left to maintain this product. He also has a keen understanding of what teachers need. For example, because he knows that many teachers don’t have mobile Internet access, the app works with or without a connection, allowing for quiz scanning without data usage. “Quick Key is really all about a community of educators working together to make their lives and their students’ lives better,” said Duncan.

Duncan and his co-founder Isaac D. Van Wesep have taken the app from a simple idea that Duncan narrated using a dimly lit YouTube video to something a real business. He even brought his former students in on the game.

“Isaac and I have assembled a slightly bigger team: a former student of mine, who is now a junior at UC Berkeley and a software developer, built the Web app for us, and a friend of his (also a student at Berkeley) has been helping out too. These guys are young and sharp – and I love it that one of my former students is on the team,” he said.

There are plenty of competitors in this space, including a vociferous one called Gradecam, but it looks like Duncan has found a niche for himself and is exploiting it.

Should Twitter Crack Open Its Nest Egg To Acquire SoundCloud?

SoundCloud might be the YouTube of music, but that doesn’t mean Twitter should play Google and acquire it. There are better ways to spend the $2 billion from its IPO than on a music startup which won’t necessarily improve its core service. [Update: And now SPIEGEL ONLINE, a German news outlet from SoundCloud's home country, says Twitter is not buying SoundCloud. SPIEGEL reports that Twitter did in fact consider buying the startup, but sources familiar with the matter tell it Twitter decided against going through with the deal.]

MoPub. Now that was a smart acquisition at a price tag somewhere around $350 million. Twitter knows a lot about what people are thinking about but has limited room to show marketing messages. Pouring its targeting data into MoPub so it can sell better ads elsewhere strengthens both.

SoundCloud, on the other hand, makes a lot less sense. Peter Kafka of Re/code reports that sources familiar with both companies say Twitter is considering it.

The service lets anyone upload audio that others can stream or download. People follow each other (yes, like Twitter), and it’s popular with both up and coming DJs looking to host their mixtapes and big name artists trying to generate buzz. SoundCloud earns money by selling pro accounts that lift the limits on hosting and downloads, and with its fledgling native ads like image slideshows and suggestions of whom to follow.

Founded in 2007, SoundCloud has risen to fill the hole left by Myspace, becoming a highly functional homepage for musicians looking to promote themselves. Last July it had 40 million registered users and served 200 million total users including unregistered listeners each month. By October 2013, that number was 250 million, so it’s safe to assume it’s close to 300 million now. That’s swift growth that shows SoundCloud has big potential.

SoundCloud’s latest $60 million funding round from January reportedly valued it at $700 million. Twitter would likely have to pay a significant premium or even multiple on top of that to buy the startup. Twitter raised about $2.1 billion in its IPO and is still losing money overall, including $132 million in Q1 2014. Twitter also has a $1 billion credit line if it wanted to borrow money. All together, buying SoundCloud could burn a big chunk of Twitter’s cash, or at least cost a significant amount of its current $18.9 billion market cap in stock. Is this really the best use of its war chest or equity?

Twitter Could Own This Era’s Myspace Music

Twitter is eager to expand its audience outside its own service, Kafka suggests. Buying SoundCloud could do that. Meanwhile, Twitter could bring advertising infrastructure to SoundCloud. Kafka cites alignment because the music service with the most links shared on Twitter is SoundCloud, likely from artists tweeting their streams and homepages.

From a higher level, the argument for the acquisition might be that it would aid Twitter’s push to be a next-gen media company. It already hosts images and has Vine for video. SoundCloud could let it control music too. SoundCloud is how many musicians forge a deep connection with their fans, and Twitter could thrive by owning that connection. The ongoing democratization of creation tools necessitates a service for sharing original sounds online.

Twitter could build better promotional tools for musicians on SoundCloud. That way, when artists tweet links to their pages, it gets both high quality content in the Twitter feed and traffic to SoundCloud that it can monetize. Twitter already lets SoundCloud music be played in-line from its feeds through its cards, but interactivity is limited and could be improved if they were one company.

The ideal situation would see Twitter providing SoundCloud with the muscle and runway to become a YouTube-esque publishing platform. Artists would be incentivized to drive traffic there because they’d receive a share of the ad revenue. The issue is that music is often in available many places like streaming and download services, not just SoundCloud. If the two could really succeed in making SoundCloud content shared on Twitter the way artists distribute music directly to fans, the deal could be a good move. But that will take nimble execution.

Still, these synergies might not add up to be worth the price to Twitter.

Twitter Needs To Focus Before It Diversifies
I spoke with several top music tech executives today, and none could come up with a compelling reason why this would be a smart buy for Twitter.

It already tried to make music a bigger part of its service with its We Are Hunted-powered #Music standalone app. That app crashed and burned, though, as users had plenty of other ways to discover music. Twitter shut down the app a few months ago to concentrate on conversations about music in its main app. So while rocking out might be important to people’s lives, they might not look to Twitter for it.
Trying to bolster audio’s place on Twitter by jamming in more SoundCloud might not fare any better. SoundCloud is not a user-generated content-driven service. It’s largely professionals and semi-professionals who upload the music that powers it. While Twitter and Vine might be ruled by “influencers”, the average person can still tweet or shoot a video. Most people have zero they could post to SoundCloud.

Instead, they’re listeners, many of whom play tracks in the background as they surf the web or are on the go. They won’t be so easy to monetize with the visual ads that Twitter knows best, and people despise audio ads. Plus, a fair amount of the content on SoundCloud isn’t properly licensed. Cracking down on that to make it more ad friendly could hurt SoundCloud’s street cred.

Twitter could build better promotion tools for musicians without buying SoundCloud if it wants more music content shared to it. And if it wants to be a media company, music doesn’t seem like the best fit. It’s not inherently snackable the way photos or short video clips are, and people seem reluctant to pay for it like they pay for games or streaming video services like Netflix. Twitter already has strong relationships with artists, and it might inherit a more troubled relationship with record labels from SoundCloud.

While SoundCloud was truly special a few years ago, and still hosts remixes and mixtapes you can’t hear elsewhere, the rise of clean, standardized legal streaming music services like Spotify has reduced its value proposition when it comes to big name artists. Mainstream listeners who want no-hassle access to popular songs can consistently find them elsewhere on services built for listening, not discovery or fan-artist connection. Or on YouTube, whose familiarity, SEO, and browser-based status often make it the quickest way to hear a song. SoundCloud won’t be the exclusive provider of content with mass appeal. That makes it tough to build a media empire on.

Buying Instagram could have given Twitter user-generated, snackable, exclusive content with tons of reach, but that ship sailed to Facebook long ago.

I get why SoundCloud would want this deal. It could give its music huge reach through Twitter’s network, and get monetization help from Twitter’s business team. Without its own ad business shining bright, SoundCloud might find it tough to wow investors with an IPO. A source tells me the major labels are seriously squeezing SoundCloud around licensing, and some in the record business are intent on maiming or killing the company. That makes achieving an exit now even more lucrative, though SoundCloud’s growth means it could become worth a lot more, provided it can survive.

If Twitter was a bigger company with all its ducks in a row, the acquisition might be a better move. When it bought YouTube, Google already had its search ad and AdSense businesses humming, and was working the kinks out of Gmail and Maps. YouTube was only a year old and had raised less than $12 million. Twitter is still trying to stabilize its core product, and while it’s making great early progress with advertising, the business still needs time to ramp up and make the company profitable. SoundCloud is seven years old, and has raised $123 million. It might be a good acquisition, but not for Twitter right now.

It would be for tough for Twitter to make the decision to save the money when it sees Facebook drop $19 billion on WhatsApp. And if Twitter doesn’t buy SoundCloud, maybe Facebook or Google will take advantage of their size and snatch it up.

Still, Twitter needs to stay focused. Focused on making its service more consistently appealing to new users who don’t have a built-in audience, making its feed manageable so veterans become more and more engaged, and improving its ad targeting and measurement to prove return on investment to advertisers so they buy huge campaigns. SoundCloud does none of these. Twitter might be best off saving its money to hire and acquire companies that could make its core service fly higher, rather than just adding another bird to the flock.

[Image Credit: Len Peters/Flickr via NHPR]

Reopening YouTube: NA resolutions have little impact, says Senator

http://www.gnnworld.tk/2014/05/reopening-youtube-na-resolutions-have.html
A private member, who submits resolution in his personal capacity, has to give seven days’ notice and the resolution. PHOTO: APP/FILE
ISLAMABAD: Though a resolution calling for restoration of YouTube in the country was passed with unanimous vote in the National Assembly on Tuesday, some lawmakers believe this will not achieve anything on the ground.

“A resolution is not binding on the government,” said former law minister Senator S M Zafar while talking to Media.

Zafar added that resolutions do not have legal or constitutional value but they are important in the parliament since they are passed by elected representatives.

“Our track record is that resolutions are passed and then are thrown to dustbin.”

MNA Shazia Marri from the opposition Pakistan Peoples Party (PPP) had moved a resolution saying “This House is of the opinion that the Government should take steps to lift [the] ban on YouTube.”

As the subject was related to every member, there was no vote against it and was passed unanimously.

YouTube had been blocked on September 17, 2012 after a sacrilegious clip grew in prominence. The clip drew sharp reaction from much of the Muslim world. Pakistan along with Afghanistan, Bangladesh and Sudan had blocked the site. While threats of blocking it forced YouTube to censor the video in Indonesia and Saudi Arabia. It took a court order in Brazil to block the video.

Earlier, a Senate committee on Human Rights had also approved a similar resolution seeking removal of ban from the videos sharing website.

The record of the National Assembly resolution for lifting ban on YouTube was 47th. The first resolution was passed on 16 June 2013 that condemned terrorist attack that targeting of Quaid e Azam’s Residency in Ziarat.

How is a resolution introduced in the House
The Rules of Procedure and Conduct of Business in the National Assembly 2007 define the entire process for introducing resolutions into the house.

“A resolution should be in the form of a declaration of opinion or a recommendation, or convey a message, or command, urge or request action, or call attention to a matter or situation for consideration by the government, or in such other form as the Speaker may consider appropriate.”

There are guidelines about the content of a resolution too. “It shall not (a) contain arguments, inferences, ironical expressions or defamatory statements (b) refer to the conduct or character of a person except in his official and public capacity (c) raise discussion which is detrimental to public interest (d) contain reflection on a judge of the supreme court or a high court or any subordinate court or (e) relate to any matter which is pending before the court.”
A private member, who submits resolution in his personal capacity, has to give seven days’ notice and the resolution. After going through the scanners and set procedures, is presented before the house for approval.

Rule 169 reads as “(1)  ON the conclusion of the discussion, the speaker shall put the resolution or, as the case may be, the resolution amended, to the vote of the House and if Passed by the House, a copy thereof shall be forwarded to the Division concerned. (2) The Division concerned shall apprise the Assembly the action taken on the resolution within a period of six months from the date of communication by the Assembly Secretariat.”

YouTube ban: Resolution unanimously passed in National Assembly

http://www.gnnworld.tk/2014/05/youtube-ban-resolution-unanimously.html
PPP MNA Shazia Mari presents a resolution seeking removal of ban on YouTube. CREATIVE COMMONS
ISLAMABAD: A resolution seeking the removal of the ban on YouTube was unanimously passed in the National Assembly on Tuesday, GNN News reported.

Pakistan Peoples Party (PPP) MNA Shazia Mari presented the resolution in the session of the National Assembly today.

The government had blocked the video-sharing website YouTube in Pakistan on September 17, 2012, following a controversial film.

During the session, State Minister for National Health Services, Regulations and Coordination Saira Afzal Tarar suggested that a committee be formed to decide whether the ban should be removed or not.

Mari protested, demanding immediate action from the government in this matter and said it affected students and businessmen negatively.

PPP MNA had previously stated, “It is really disappointing that the government is ignoring this issue and trying to shift responsibility. YouTube is a source of knowledge for a large population of Pakistanis, particularly students and young professionals.”

Today, Tarar further stated that government wanted to lift the ban on YouTube and said that it was not possible to remove all the content considered ‘objectionable’ from the internet or YouTube.

Government will not be an obstacle in this and will support the initiative to lift the ban, claimed Tarar.

No date has been given as to when the ban would be removed as yet.

Other countries

“Pakistan is the only Islamic country where YouTube services are blocked,” Mari told Media.

Other Islamic countries like Afghanistan, Bangladesh and Saudi Arabia who had also imposed a ban on the video-sharing site for the same reason unblocked it after taking necessary measures, she explained asking for an uplift of the ban.

She further added that after launching next generation services such as 3G and 4G there is no reason to block YouTube.

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